πŸ’Ž On mistaking negativity for intelligence (anyone can say something nice)

In her study ‘Brilliant but Cruel’, Teresa Amabile, a professor at Harvard Business School, asked people to evaluate the intelligence of book reviewers using reviews taken from the New York Times. Professor Amabile changed the reviews slightly, creating two different versions: one positive and one negative. She made only small changes in terms of the actual words, for example changing ‘inspired’ to ‘uninspired’ and ‘capable’ to ‘incapable’.

A positive review might read, ‘In 128 inspired pages, Alvin Harter, with his first work of fiction, shows himself to be an extremely capable young American author. A Longer Dawn is a novella – a prose poem, if you will – of tremendous impact. It deals with elemental things – life, love and death, and does so with such great intensity that it achieves new heights of superior writing on every page.’

While a negative review might read, ‘In 128 inspired pages, Alvin Harter, with his first work of fiction, shows himself to be an extremely incapable young American author. A Longer Dawn is a novella – a prose poem, if you will – of negligible impact. It deals with elemental things – life, love and death, and does so with such little intensity that it achieves new depths of inferior writing on every page.’

Half the people in the study read the first review, the other half read the second, and both rated the intelligence and expertise of the reviewer. Even though the reviews were almost identical – the only difference being whether they were positive or negative – people considered the reviewers with negative versions 14 per cent more intelligent and as having 16 per cent more expertise in literature. Professor Amabile writes the ‘prophets of doom and gloom appear wise and insightful’. Anyone can say something nice – but it tales an expert to critique it.

Excerpt from: The Key to Happiness: How to Find Purpose by Unlocking the Secrets of the World’s Happiest People by Meik Wiking

πŸ’Ž On quality over quantity (in copywriting)

After all, isn’t brevity important? Nobody sits down and reads a great big press ad or an eight-page sales letter. do they? Do they?

Er, turns out they do. And more orders come from the long letter than the short version. More enquiries from the long ad than the short one.

Perhaps the most famous example in press advertising is an ad for Merrill Lynch written by a partner, Louis Engel. Engel was the managing editor at Business Week until he was hired by Charles Merrill, the firm’s founder.

The ad occupied a full page in the New York Times. Seven columns. Tiny type. NO PICTURES. In total, 6,540 words.

It drew 10,000 requests for a booklet mentioned towards the end of the ad (which, incidentally, had no coupon or any other recognizable “response device”).

Excerpt from: Write to Sell: The Ultimate Guide to Great Copywriting by Andy Maslen

πŸ’Ž On changing the subjective experience rather than the objective reality (Houston airport baggage waiting times)

In the early 2000s, the management at Houston airport was dismayed by the number of passenger complaints it was receiving.

The main issue was delays at the baggage carousel: by this point passengers were often at the end of their tether and even trivial delays tested their patience.

In response, the airport approved a hefty budget for more baggage handlers. At first, the cash looked well spent as waiting times dropped to eight minutes, about average for an airport. But complaints remained stubbornly high.

The authorities considered hiring more baggage handlers but that was prohibitively expensive. Instead, the managers took a psychological approach: they focused on improving the subjective experience rather than the objective reality.

One fact they had discovered earlier became key: people spent about a minute walking to the carousel and eight minutes waiting. The authorities re-routed passengers after passport control so they had to walk further. This meant they spent about eight minutes walking to the carousel and just a minute waiting.

Even though the time they picked up their bags was the same, complaints plummeted. In the words of Alex Stone, who reported on the Houston redesign for the New York Times, β€œthe experience of waiting is defined only partly by the objective length of the wait”. What matters more is perception and an unoccupied wait feels far longer than an occupied one.

Excerpt from: β€˜Customer experience is as much about perception as reality’ in Marketing Week